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A woodcut depicting the "Papal Ass," a monster purported to have been pulled from the Tiber in Rome as a portent of the corruption of the Roman Catholic Church.

An engraved map of the Esquiline Hill in Rome showing rough topography and the plans of a number of notable landmarks and buildings including: the Baths of Diocletian, Basilica of the Holy Cross in Jerusalem, Archbasilica of Saint John Lateran, Basilica di Santa Maria Maggiore, Baths of Titus, Basilica of St. Clemens, Basilica of Saint Praxedis, Church of Saint Bibiana, Basilica of Saint Peter in Chains, and Basilica of Saint Stephen Rotunda.

An engraving depicting the Lateran Palace (left) with the Lateran Obelisk (foreground), with the Archbasilica of Saint John Lateran (right) visible with the Baptistry on its right.

An engraved border to Descrizione di Roma moderna formata nvovamente. The engraving depicts a pair of figures, one holding a cross and chalice and the other holding an anchor flanking a crest with three bees (the Barberini family) crowned by a galero (bottom), a pair of cherubs with shields (one with the papal keys and the other with S.P.Q.R.

An engraving depicting a Roman triumphal procession passing through a triumphal gate and accross the triumphal bridge (Pons Neronianus/Vaticanus) along the triumphal way (Via Triumphale) across the Tiber River. Above the scene, an angel flies, blowing on a trumpet that is draped with a flag bearing a crest with "S.P.Q.R." on it. The accompanying text discusses sources that claim St. Peter was buried near the Via Triumphale.

A pair of engravings depicting four obelisks (Vatican Obelisk, Lateran Obelisk, Flaminio Obelisk, and the Esquiline Obelisk), the Santi Apostoli, and Trajan's Column. All of these were part of Pope Sixtus V's urban reform program.

A pair of engravings depicting the Scala Sancta at St. John Lateran and statues of the Dioscuri with horses which were moved to the Piazza del Quirinale, both of which were a part of Pope Sixtus V's urban reform program.

An engraving depicting detailed representations of the four sides of the Obelisk of Domitian, which had been moved by Pope Innocent X from the Via Appia to his family home, the Palazzo Pamphilj. Between the four sides, there is a small representation of the obelisk with a decorative ribbon proclaiming it the "Obelisus Pamphilius" (bottom), a cherub holding a pair of medallions with a portrait of Innocent X (left) and the obelisk (right) (middle), and an angel lying on a cloud supporting Innocent X's coat of arms.

An engraving depicting the martyrdom of Saint Peter the Apostle. The image shows Peter crucified upsidedown as Emperor Nero watches from horseback in the background.

An engraving depicting the martyrdom of Saint Paul the Apostle. The image shows Paul kneeling and blindfolded with hands together in prayer as the executioner unsheathes his sword and looks back towards Emperor Nero, who stands atop a wall in the background (upper left).

An engraving depicting the martyrdom of Saint Ignatius of Antioch. The image shows Ignatius standing alone in an arena and facing an oncoming lion with open arms as a crowd watches.

An engraving depicting the martyrdom of Saint Felicitas and her seven sons. The image shows five of the seven sons already dead, with one beheaded and another kneeling as the executioner prepares to behead him (left). On the right, Felicitas watches with her final son bound behind her (left).

An engraving depicting various tortures and executions of Christians during the persecutions ordered under Emperors Diocletian and Maximian. The image shows five different methods of crucifixion (right), people being burned at the stake (center, background), a man being beaten (center), a figure being attacked by dogs (bottom left), and a figure being stabbed, covered in oil, and burned (left), all while the Emperors watch (top left, background).

An engraving depicting the body of Arnaldo of Brescia, who was burned at the stake for heresy. The image shows two men using tongs to push the Arnoldo's remaining bones into the flames as a monk and the pope watch.

An engraving depicting a story in the New Testament apocryphal writing "Acts of Peter". In it Peter, having kindled the wrath of the powerful, is asked by his fellow Christians to flee Rome so that his ministry may continue. As he leaves the city he sees Christ walking towards Rome carrying a cross. Peter asks where he is going. Christ tells him he is going to Rome to be crucified again. Hearing this Peter returns to Rome convinced his time has come.

An engraving depicting

An engraving depicting the gardens and villa of the Pamphilli family, located near the Porta San Pancrazio in Rome.

An engraving depicting the Villa Mattei, now known as Villa Celimontana, in Rome and the gardens surrounding.

An engraving depicting the Villa Borghesia and its surrounding gardgens

An engraving depicting the gardens and palace of Villa Montalto (also known as Villa Montalto Peretti, Villa Montalto Peretti Massimo, and Villa Negroni) in Rome. The entire complex was leveled to make room for the Roma Termini.

An engraving depicting the Villa Medici and gardens in Rome.