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A woodcut border to Tommaso de Vio Cajetan's De diuina institutione Pontificatus Romani Pontificis super tota[m] ecclesiam: a Christo in Petro printed in 1521. The border consists of four separate woodcuts depicting floral and decorative column motifs.

A woodcut border to Luther's Die weyse der Mess, vn[d] geniessung des hochwirdigen Sacrame[n]ts, für die Christliche gemain verteütscht / Do. Mar. Luth. M.D.XXiij. The border consists of four separate woodcuts depicting ornamented columns with bird designs (sides), a plant motif (top), and a pair of fish flanking horns with birds (bottom).

A colored woodcut border to Luther's Die weysse der Messz, : vnnd geniesung des Hochwirdigen Sacraments, für die Christliche Gemayn verteütscht printed in 1524. The boarder is composed of a single woodcut depicting an architectural arch featuring four cherubs and greenery.

A woodcut border to Luther's De instituendis ministris ecclesiae printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A colored woodcut border to Luther's Uon kauffsshandlung vnd Wucher printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

An illuminated page from the 1470 printing of De evangelica praeparatione by Eusebius of Caesarea. The illuminations include an initial letter "E", floral boarder decorations, and a coat of arms featuring a hart surrounded by a laurel wreath. The illuminations are done in green, purple, black, blue, and red coloring with additional gold accents.

An illuminated page from the first sermon in the 1472 printing of Roberto Caracciolo's Sermones quadragesimales de poenitentia. The illumination includes an initial letter "M" with accompanying floral imagery. At the bottom of the page is a coat of arms bearing a griffin surrounded by a laurel wreath. The illumination is done in red, green, blue, and black color with gold accents.

An illuminated page from the 1472 printed edition of Honorius of Atun's Cristianus ad solitariu[m] quendam De ymagine mundi. The illumination includes two initial letters "S" accented with floral patterns. The illumination uses blue, green, and red color with gold accents.

An illuminated page from Franciscus de Platea's Opus restitutionum usurarum et excommunicationum. The illumination includes an initial letter "R" woven into a floral patterned border. The illumination uses red, green, and blue color with gold accents.

An illuminated page from the 1480 printed edition of the Letters of Saint Jerome. The illumination includes an initial letter "P" surrounded by floral decorations and surrounding an image of Saint Jerome holding a book. At the bottom of the page is an illumination showing a crest, which features a wolf, surrounded by a laurel wreath bound on the top, bottom, left, and right with decorative string. The illumination uses blue, red, green, brown, and black color with gold accents.

An illuminated page from the 1487 printing of Sabellico's Decades rerum Venetarum. The illumination includes an initial letter "V" and decorative acorn and oak leaf border. The illumination is done in yellow, brown, green, red, and blue color with gold accents.

An illuminated page from the 1487 printing of Sabellico's Decades rerum Venetarum. The illumination includes an initial letter "S" and decorative floral border. The illumination is done in pink, brown, green, red, and blue color with gold accents.

An illuminated page from the 1487 printing of Sabellico's Decades rerum Venetarum. The illumination includes an initial letter "Q" and decorative border composed of several generic floral patterns, a flowering pear tree branch with a bird perched on it, two different types of flowers, and a coat of arms featuring an eagle, angel, and possibly a swallow. The illumination is done in pink, yellow, black, brown, green, red, and blue color with gold accents.

An illuminated page from a 1497 printed edition of the Pontificale Romanum. The illumination includes an initial letter "P" with a full floral border featuring a coat of arms ringed in a laurel wreath in the bottom margin. The illumination is done in red, blue, green, yellow, and black color.

An illuminated page from the gospel of Matthew from volume five of the Biblia cum glossa ordinaria printed in 1498. The central initial letter "L" is done in red, blue, green, yellow, and white/grey with gold accents. There are also two examples of blue and red rubricated initial letter "L"s at the top of the page.

A woodcut of the printer's device (or mark) of Johann Rhau-Grunenberg, featuring his initials, "IG," and a small hill decorated with a number of different plants. The printer's mark is placed just below the colophon.

A woodcut border on the title page of Johann Eck's pamphlet in support of Hieronymus Emser printed in 1519. The entire border is created using four different woodcuts on each side. The bottom woodcut features a pair of cherubs holding up the coat of arms of Chemintz (possibly a reversed coat of arms of Leipzig). The left hand woodcut includes a cherub holding up a decorative stand upon which is a man battling a boar. The right hand woodcut includes a bent over cherub supporting a decorative stand on top of which stands a drummer.

A woodcut border and central illustration on the title page to Luther's Disputatio et excusatio printed in 1519. The border is composed of four separate decorative woodcuts: the left and top ones featuring plants and flowers, the right one depicting a stick with a ribbon coiled around it and stars in the background, and the bottom one depicting a monkey amidst floral ornaments. At the center of the page is a separate woodcut depicting a bishop, carrying a staff and book.

A woodcut border and central illustration on the title page toLuther's Disputatio domini Johannis Eccij et P. Martini Luther in Studio Lipsiensi futura printed in 1519. The border is composed of four separate decorative woodcuts: the left and top ones featuring plants and flowers, the right one depicting a stick with a ribbon coiled around it and stars in the background, and the bottom one depicting a monkey amidst floral ornaments. At the center of the page is a separate woodcut depicting John the Baptist carrying the Lamb of God.

A woodcut border on the title page to Luther's Ad Johannem Ecciu[m] printed in 1519. The border depicts a variety of plants and animals, including a crane or heron and a squirrel.

A woodcut depicting Adam and Eve eating from the Tree of Knowledge as God looks on from Heaven. To the right, they are expelled from Eden by an angel wielding a sword. A set of four decorative woodcuts create a border around the main image and depict plants and birds.