Richard C. Kessler Reformation Collection
The Richard C. Kessler Reformation Collection was established in 1987, when Richard and Martha Kessler donated their private collection of Reformation imprints and manuscripts to Emory University. These materials were combined with Reformation holdings at the Pitts Theology Library, and an effort was launched to enlarge and sustain this collection in the years to come. An advisory committee of Lutheran laypersons and clergy and of Candler School of Theology faculty and administrators oversees the nurture of the collection and its programs. The Reformation Notes newsletter provides semiannual updates on the growth of the collection, and the Reformation Day at Emory program of music and lectures each October celebrates the collection and its contributions to music, history, and theology. In the sixteenth century the social and theological movements of central Europe, known collectively as the Reformation, critically shaped religion, law, education and other institutions in the West, and their long shadow has extended even to the present. The purpose of the Kessler Collection is to document these changes by collecting print and manuscript materials down to 1570 by Martin Luther (1483-1546) and those whom he influenced or engaged in debate. In this way historians and theologians will be able to hear the full range of voices that were raised in this dynamic period. The holdings of the collection now exceed 4,000 items, a mark approximated by only two other libraries in North America; no American library approaches the Kessler Collection's 1,000+ publications by Luther himself.
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Printer's Device of Melchior Lotter
A woodcut printer's device of Melchior Lotter featuring a crest depicting the Brazen Serpent wrapped around a cross. -
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Initial letter with Moses delivering his farewell
Lemberger, Georg, 1495?-1540?A woodcut initial letter "D" illustrated with the scene of Moses delivering his farewell discourse while God looks down from Heaven. Moses is depicted with horns, a common practice in Western art before the Renaissance. -
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Historiated title page border of Luther's German translation of the Old Testament
Lemberger, Georg, 1495?-1540?A woodcut border to Luther's German translation of the Old Testament printed in 1523. The border is composed of one woodcut depicting an architectural arch supported by four columns, a gathering of cherubs (top and sides), and a group of worshipers (?) around a crucified Christ (bottom). -
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Printer's Device of Martin Landsberg
A woodcut depicting the printer's device of Martin Landsberg. The mark consists of two shields, one with what could be a stylized ox or cow head and a star (left) and the second with a city by a river (right). Per Davies in "Devices of the Early Printers, Vol. 9, pg. 196, "The town represented is on mounds in the former; here water seems to be indicated. If the allusion was originally to "Land" and "Berg", it is therefore now lost." -
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Historiated title page of Wolfgang Wulffer's pamphlet calling Luther a false prophet
A woodcut border on the title page of Wolfgang Wulffer's pamphlet against Luther, calling him a "false prophet." The border is composed of a single woodcut depicting cherubs (top and sides), dragons (top left and right), and a man reclining while wearing a hood with pointed ears (bottom). -
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Augustinian Monk with decorative border
A woodcut full-body portrait of either Martin Luther or Michael Stifel dressed in the garb of an Augustinian monk and holding a book. Surrounding the monk is a separate woodcut border featuring cherubs and Wild Men in trees and the coat of arms of the Holy Roman Empire at the bottom. -
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Martin Luther and the Holy Spirit
Baldung, Hans, -1545A woodcut portrait of Martin Luther dressed in the traditional garb of an Augustinian monk and holding a book, likely a Bible, with a dove above him, representing the Holy Spirit. -
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Augustinian Monk
A woodcut full-body portrait of either Martin Luther or Michael Stifel dressed in the garb of an Augustinian monk and holding a book. -
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Historiated title page of Luther's Vom ehelichen Leben
A woodcut border on the title page of Luther's Vom ehelichen Leben printed in 1522. -
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Historiated title page of Luther's Von Menschenlehre zu meiden
A woodcut border on the title page to Luther's Von Menschenlehre zu meiden printed in 1522. The border depicts a series of cherubs, including two carrying another on a ram's pelt litter while it plays a horn and carries a standard. -
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Historiated title page of Luther's Uom Missbrauch der Messen
A woodcut border on the title page of Luther's Uom Missbrauch der Messen printed in 1522. -
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Historiated title page of Luther's Sermon Am Pfingstmontag das Evangelium. Joan. iij
A woodcut border on the title page of Luther's Sermon Am Pfingstmontag das Evangelium. Joan. iij printed in 1522. The border consists of a single woodcut and depicts an architectural arch or niche decorated with Corinthian columns (sides), a lady and a knight holding blank shields (top left and right), a pair of sirens holding a blank shield (top), a blank shield filled in with a hand-drawn symbol flanked by two cherubs playing the drums and flute (bottom). -
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The crucifixion of Christ
Burgkmair, Hans, 1473-1531A woodcut depicting the crucifixion of Jesus Christ, with the Virgin Mary baring a breast on the left and God (or possibly Moses) on the right holding the tablets bearing the Ten Commandments. -
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Historiated title page of Luther's Sermon von den Heiltumen
A woodcut border on the title page of Luther's Sermon von den Heiltumen printed in 1522. The border consists of four woodcuts, all featuring plant motifs with added elements, including: a bird (left), birds and bugs (top), fruits (right), and an urn (bottom). Within the border and below the title is a fifth woodcut depicting the crucifixion of Jesus Christ, with the Virgin Mary to the left and a saint to the right. -
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Historiated title page of Luther's Uom Missbrauch der Messen
A woodcut border on the title page of Luther's Uom Missbrauch der Messen printed in 1522. -
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Historiated title page of Luther's Christlicher Beweisung von dem Jungsten Tag
A woodcut border on the title page of Luther's Christlicher Beweisung von dem Jungsten Tag printed in 1522. The border is composed of five woodcuts arranged around the title. The bottom of the border is made up of two decorative woodcuts, one featuring a bird amongst foliage (possibly a woodcut usually used for either the left or right side of a title page border, considering the orienation of the bird) and a more architectural decorative image. The left and right sides feature two similar pieces featuring blank crests, plinths and foliage. -
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Historiated title page of Luther's Von der Beicht, ob die der Papst Macht habe zu gebieten
A woodcut border on the title page of Luther's Von der Beicht, ob die der Papst Macht have zu gebieten printed in 1522. The border is composed of four woodcuts designed to create a single, cohesive design of decorative plants and a pair of cherubs. -
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The crucifixion of Christ
A woodcut depicting the crucifixion of Jesus Christ, including a crowd of onlookers surrounding the Virgin Mary. -
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Historiated title page of Luther's De votis monasticis
A woodcut border on the title page of Luther's Uon Menschenn Lere zu meyden printed in 1522. The border consists of a single woodcut depicting two birds flanking a plinth (top), a man wearing a hat and playing a flute with a bee at his shoulder (right), two cherubs holding up a blank crest (bottom), and a humanoid fiure with a pig or cow's head holding a rosary (right). -
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Historiated title page of Luther's Ain Sermon Secundum Matheum
A woodcut border on the title page of Luther's Ain Sermon Secundum Matheum printed in 1522. The border is composed of a single woodcut and depicts an architectural arch or nice decorated with plant motifs. Within the border and below the title, a cherub is depicted holding the Electoral Arms of Saxony (left) and the Ducal Arms of Saxony (right). -
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Historiated title page of Luther's Uon Menschenn Lere zu meyden
A woodcut border on the title page of Luther's Uon Menschenn Lere zu meyden printed in 1522. The border consists of a single woodcut depicting two birds flanking a plinth (top), a man wearing a hat and playing a flute with a bee at his shoulder (right), two cherubs holding up a blank crest (bottom), and a humanoid fiure with a pig or cow's head holding a rosary (right).