• A woodcut depicting a skeleton (= Death) leading an abbess away. The abbess holds a rosary in her hands and a crosier underneath her arm. In the bottom left-hand corner is an hourglass representing human mortality. The woodcut is accompanied by a verse from Ecclesiastes 4 translated into French (top) and then reformatted into verse (bottom).
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    The Abbess

    Holbein, Hans, 1497-1543
    A woodcut depicting a skeleton (= Death) leading an abbess away. The abbess holds a rosary in her hands and a crosier underneath her arm. In the bottom left-hand corner is an hourglass representing human mortality. The woodcut is accompanied by a verse from Ecclesiastes 4 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting a skeleton dressed as a bishop with a mitre and crosier, and representing death, taking the cloak of an abbot who holds a prayer book. In the tree is an hourglass representing human mortality. The woodcut is accompanied by a verse from Proverbs 5 translated into French (top) and then reformatted into verse (bottom).
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    The Abbot

    Holbein, Hans, 1497-1543
    A woodcut depicting a skeleton dressed as a bishop with a mitre and crosier, and representing death, taking the cloak of an abbot who holds a prayer book. In the tree is an hourglass representing human mortality. The woodcut is accompanied by a verse from Proverbs 5 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting a skeleton (= Death) reaching for a duke, while a woman pleads before him over her child. In the upper left-hand corner is an hourglass representing human mortality. The woodcut is accompanied by a verse from Ezekiel 7 translated into French (top) and then reformatted into verse (bottom).
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    The Duke

    Holbein, Hans, 1497-1543
    A woodcut depicting a skeleton (= Death) reaching for a duke, while a woman pleads before him over her child. In the upper left-hand corner is an hourglass representing human mortality. The woodcut is accompanied by a verse from Ezekiel 7 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting a skeleton (= Death) taking a bishop by the hand and leading him from his pasture and flock. The Bishop holds a crosier, while an hourglass rests in the bottom left corner. The woodcut is accompanied by verses from Matthew 26 and Mark 14 translated into French (top) and then reformatted into verse (bottom).
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    The Bishop

    Holbein, Hans, 1497-1543
    A woodcut depicting a skeleton (= Death) taking a bishop by the hand and leading him from his pasture and flock. The Bishop holds a crosier, while an hourglass rests in the bottom left corner. The woodcut is accompanied by verses from Matthew 26 and Mark 14 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting Death, wearing a jester's cap and holding an hourglass, seizing a queen while her attendants struggle to free her from his grip. The woodcut is accompanied by a verse from Isaiah 32 translated into French (top) and then reformatted into verse (bottom).
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    The Queen

    Holbein, Hans, 1497-1543
    A woodcut depicting Death, wearing a jester's cap and holding an hourglass, seizing a queen while her attendants struggle to free her from his grip. The woodcut is accompanied by a verse from Isaiah 32 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting Death escorting an empress as she and her court enjoy a walk outside the palace, and pointing out a nearby grave to display the limits of the empress' dominion. The woodcut is accompanied by a verse from Daniel 4 translated into French (top) and then reformatted into verse (bottom).
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    The Empress

    Holbein, Hans, 1497-1543
    A woodcut depicting Death escorting an empress as she and her court enjoy a walk outside the palace, and pointing out a nearby grave to display the limits of the empress' dominion. The woodcut is accompanied by a verse from Daniel 4 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting a king resting at a banquet as a skeleton (= Death) pours him something to drink. The hourglass on the table reminds the viewer of human mortality. The woodcut is accompanied by a verse from Ecclesiastes 10 translated into French (top) and then reformatted into verse (bottom).
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    The King

    Holbein, Hans, 1497-1543
    A woodcut depicting a king resting at a banquet as a skeleton (= Death) pours him something to drink. The hourglass on the table reminds the viewer of human mortality. The woodcut is accompanied by a verse from Ecclesiastes 10 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting an emperor listening to the petition of one of his subjects. A skeleton, representing death, holds the crown on the emperor’s head, as the emperor holds a broken sword. An orb, a scepter, and an hourglass sit on the ground at his feet. The emperor is also wearing the collar of the Order of the Golden Fleece. The woodcut is accompanied by verses from Isaiah 38 and 22 translated into French (top) and then reformatted into verse (bottom).
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    The Emperor

    Holbein, Hans, 1497-1543
    A woodcut depicting an emperor listening to the petition of one of his subjects. A skeleton, representing death, holds the crown on the emperor’s head, as the emperor holds a broken sword. An orb, a scepter, and an hourglass sit on the ground at his feet. The emperor is also wearing the collar of the Order of the Golden Fleece. The woodcut is accompanied by verses from Isaiah 38 and 22 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting the Pope wearing the papal triple tiara, crowns a king (the globus cruciger on the ground before him), as cardinals, bishops, skeletons (representing death; one in cardinal's garb), and two flying demons (one with papal decree in hand) look on. The woodcut is accompanied by verses from Joshua 20 and Psalms 108 translated into French (top) and then reformatted into verse (bottom).
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    The Pope

    Holbein, Hans, 1497-1543
    A woodcut depicting the Pope wearing the papal triple tiara, crowns a king (the globus cruciger on the ground before him), as cardinals, bishops, skeletons (representing death; one in cardinal's garb), and two flying demons (one with papal decree in hand) look on. The woodcut is accompanied by verses from Joshua 20 and Psalms 108 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting a band of skeletons playing musical instruments in a cemetery. The woodcut is accompanied by verses from Revelations 8 and Genesis 7 translated into French (top) and then reformatted into verse (bottom).
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    Death in the Cemetery

    Holbein, Hans, 1497-1543
    A woodcut depicting a band of skeletons playing musical instruments in a cemetery. The woodcut is accompanied by verses from Revelations 8 and Genesis 7 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting Adam laboring beside a skeleton (representing Death) while Eve feeds their child in the background. The woodcut is accompanied by a verse from Genesis 2 translated into French (top) and then reformatted into verse (bottom).
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    The Consequences of the Fall

    Holbein, Hans, 1497-1543
    A woodcut depicting Adam laboring beside a skeleton (representing Death) while Eve feeds their child in the background. The woodcut is accompanied by a verse from Genesis 2 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting Adam and Eve being driven from the garden of Eden by an angel. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
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    Expulsion from the Garden of Eden

    Holbein, Hans, 1497-1543
    A woodcut depicting Adam and Eve being driven from the garden of Eden by an angel. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting Adam and Eve eating from the Tree of Knowledge, thus committing the Original Sin. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
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    The Fall of Adam and Eve

    Holbein, Hans, 1497-1543
    A woodcut depicting Adam and Eve eating from the Tree of Knowledge, thus committing the Original Sin. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting God creating Eve from one of Adam's ribs. The woodcut is accompanied by a verse from Genesis 1-2 translated into French (top) and then reformatted into verse (bottom).
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    The Creation of Eve

    Holbein, Hans, 1497-1543
    A woodcut depicting God creating Eve from one of Adam's ribs. The woodcut is accompanied by a verse from Genesis 1-2 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut of the printer's device of Jean Frellon appearing on the title page of Les Images de la Mort. The device features a crab holding a moth above the motto: MATVRA.
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    Printer's device of Jean Frellon

    Holbein, Hans, 1497-1543
    A woodcut of the printer's device of Jean Frellon appearing on the title page of Les Images de la Mort. The device features a crab holding a moth above the motto: MATVRA.
  • A woodcut border to Luther's Ain lectio[n] wider die Rottengayster, vn[d] wie sich weltlich oberkayt halte[n] sol, : Auss der ersten epistel S. Pauli zuo Timotheo, an freytag nach Oculi printed in 1525. The border is composed of four separate woodcuts depicting a selection of biblical stories including the baptism of Jesus by John the baptist, the Holy Spirit descending as a dove above Jesus, the signs of the four Gospels, Paul rescued from a shipwreck, Paul falling from a horse, conversion of Saul of Tarsus, and Peter's vision of the clean and unclean animals let down from heaven in a sheet.
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    Historiated title page border of Ain lectio[n] wider die Rottengayster, vn[d] wie sich weltlich oberkayt halte[n] sol, : Auss der ersten epistel S. Pauli zuo Timotheo, an freytag nach Oculi

    A woodcut border to Luther's Ain lectio[n] wider die Rottengayster, vn[d] wie sich weltlich oberkayt halte[n] sol, : Auss der ersten epistel S. Pauli zuo Timotheo, an freytag nach Oculi printed in 1525.
  • A woodcut border to Luther's Ermanunge zum Fryde auff die zwölff Artickel der Bawrshafft in Schwaben printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).
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    Historiated title page border of Ermanunge zum Fryde auff die zwölff Artickel der Bawrshafft in Schwaben

    A woodcut border to Luther's Ermanunge zum Fryde auff die zwölff Artickel der Bawrshafft in Schwaben printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).
  • A woodcut border to Luther's Erklerung wie Carlstat sein ler vonn dem hochwirdigen Sacrament : vnd andere achtet vnnd geachtet haben will printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).
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    Historiated title page border of Erklerung wie Carlstat sein ler vonn dem hochwirdigen Sacrament : vnd andere achtet vnnd geachtet haben will

    A woodcut border to Luther's Erklerung wie Carlstat sein ler vonn dem hochwirdigen Sacrament : vnd andere achtet vnnd geachtet haben will printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).
  • A woodcut initial letter "A" depicting a trio of figures leaning agains and through the letter.
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    Initial Letter A

    A woodcut initial letter "A" depicting a trio of figures leaning agains and through the letter.
  • A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Luther, Ecclesiast, Schwirmer [Schwärmer], Visitieter, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas."
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    Martinus Luther Sieben Kopff

    A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Luther, Ecclesiast, Schwirmer [Schwärmer], Visitieter, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas."
  • An ornamental woodcut depicting a dog and a pig nose to nose with the back half of what might be a goat on the left.
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    Dog and Pig

    An ornamental woodcut depicting a dog and a pig nose to nose with the back half of what might be a goat on the left.
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