Richard C. Kessler Reformation Collection
The Richard C. Kessler Reformation Collection was established in 1987, when Richard and Martha Kessler donated their private collection of Reformation imprints and manuscripts to Emory University. These materials were combined with Reformation holdings at the Pitts Theology Library, and an effort was launched to enlarge and sustain this collection in the years to come. An advisory committee of Lutheran laypersons and clergy and of Candler School of Theology faculty and administrators oversees the nurture of the collection and its programs. The Reformation Notes newsletter provides semiannual updates on the growth of the collection, and the Reformation Day at Emory program of music and lectures each October celebrates the collection and its contributions to music, history, and theology. In the sixteenth century the social and theological movements of central Europe, known collectively as the Reformation, critically shaped religion, law, education and other institutions in the West, and their long shadow has extended even to the present. The purpose of the Kessler Collection is to document these changes by collecting print and manuscript materials down to 1570 by Martin Luther (1483-1546) and those whom he influenced or engaged in debate. In this way historians and theologians will be able to hear the full range of voices that were raised in this dynamic period. The holdings of the collection now exceed 4,000 items, a mark approximated by only two other libraries in North America; no American library approaches the Kessler Collection's 1,000+ publications by Luther himself.
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Initial Letter V
A woodcut initial letter "V" depicting a figure standing on the back of a second holding out a bunch of grapes. -
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Ornamental woodcut
An ornamental woodcut depicting a pair of cherubs amongst some vines. The cherub on the left is riding a stick horse and holding an item similar to a pinwheel. On the right of the image, there is an arm holding an arrow which might be part of another cherub. -
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Ornamental woodcut
An ornamental woodcut depicting a pair of capped figures riding hippocampi and holding shields, flanking a cherub's head. -
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Initial Letter I
A woodcut initial letter "I" depicting a pair of naked figures holding poles or spears. -
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Initial Letter V
A woodcut initial letter "V" depicting a horse or hound head with plant decorations. -
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Martinus Lutherus Septiceps
A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Lutherus, Ecclesiastes, Suermerus, Visitactor, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Suermerus) and "Barrabas." -
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Historiated title page border of New deudsch Psalter
A woodcut border to the New deudsch Psalter printed in 1528. The border consists of a single woodcut depicting a bird flanked by decorative elements (top), a pair of cherub heads with plant motifs (sides), and God or Jesus Christ holding a globus cruciger and flanked by cherubs (bottom). -
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Initial Letter E
A woodcut initial letter "E" depicting a pair of battling figures, one with a staff and one with a shield and sword. -
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Historiated title page border of Widder Luthers trostung ann die Christen zu Hall : vber er Georgen yhres Predigers todt, szo viel die entpfahung des hochwirdigen Sacraments belangt
A woodcut border to Augustin von Alveldt's Widder Luthers trostung ann die Christen zu Hall : vber er Georgen yhres Predigers todt, szo viel die entpfahung des hochwirdigen Sacraments belangt printed in 1528. The border consists of a single wood cut depicting a pair of columns, one with bulls heads (sides), a pair of cherubs holding the coat of arms of Dresden (bottom), and an arch decorated with floral designs (top). -
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Historiated title page border of Wider den newen Taufforden : notwendige Warnung an alle Christgleubigen
A woodcut border to Urbanus Rhegius's Wider den newen Taufforden : notwendige Warnung an alle Christgleubigen printed in 1527. The border is composed of a single woodcut depicting a series of cherubs, some playing instruments (sides and bottom) and a man flanked by floral decorations (top). -
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Historiated title page border of Vier trostliche Psalmen, an die Königin zu Hungern
A woodcut border to Luther's Vier trostliche Psalmen, an die Königin zu Hungern printed in 1527. The border is comprised of a single woodcut depicting an architectural border supported by four columns with cherubs leaning on them (sides) and cherubs holding shields (top corners). -
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Historiated title page border of Von dem Testament Christi vnsers Herren vnd Seligmachers : Dem Hochlöblichen Adell ym landt zu Sachsen, sampt alle[n] Christglewbigen, Deutscher Nation, tzugutt geschriben vnd auszgangen, beweret mit Götlicher schrifft, tröstlich zu lesen
A woodcut border to Mensing's Von dem Testament Christi vnsers Herren vnd Seligmachers : Dem Hochlöblichen Adell ym landt zu Sachsen, sampt alle[n] Christglewbigen, Deutscher Nation, tzugutt geschriben vnd auszgangen, beweret mit Götlicher schrifft, tröstlich zu lesen printed in 1526. The border is composed of four woodcuts depicting the symbols of the four Gospels (corners), Apostle Peter (top), Apostle Paul (bottom), and the four "Great Western Fathers" of the church, Pope Gregory I, Saint Jerome, Saint Ambrose, and Saint Augustine (sides). -
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Historiated title page border of Das der frey will nichts sey : Anntwort D. Martini Luther ann Erasmum Rotherdam
A woodcut border to Luther's Das der frey will nichts sey : Anntwort D. Martini Luther ann Erasmum Rotherdam printed in 1525. The border consists of a single woodcut depicting an architectural arch decorated with floral motifs, armor and shields, birds, and a pair of cherubs playing instruments. -
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Historiated title page border of Eyn gutter Sermon
A woodcut border to Luther's Eyn gutter Sermon printed in 1526. The border consists of a single woodcut depicting an architectural arch decorated with floral motifs. -
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Augustinian Monk
A woodcut full-body portrait of a figure, possibly of Martin Luther, dressed in the garb of an Augustinian monk and holding a book. -
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Historiated title page border of Ain schöner Dialogus wie ain Bawr mit aim Frawe[n] Brůder Münch redt : das er die Kutten von jm würfft, und dem Münch Arbayt zůgeben, lustbarlich und lieblich zů lesen
A woodcut border to Ain schöner Dialogus wie ain Bawr mit aim Frawe[n] Brůder Münch redt : das er die Kutten von jm würfft, und dem Münch Arbayt zůgeben, lustbarlich und lieblich zů lesen will printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top). -
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Jesus Christ Crucified
A woodcut depicting the crucifixion of Jesus Christ, featuring the figures of the Virgin Mary, St. John, and a third figure. -
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Historiated title page border of Vom Hochwirdigisten Sacrament des zarte[n] fronleichnams Christi. : Vnnd widerlegung ettlicher Argument, so jn ainem newlich aussgegange[n] irrigen vn[d] verfüerischen [sic] büechlin [sic] widers opffer [der] Mess gemacht sind
A woodcut border to Luther's Vom Hochwirdigisten Sacrament des zarte[n] fronleichnams Christi. : Vnnd widerlegung ettlicher Argument, so jn ainem newlich aussgegange[n] irrigen vn[d] verfüerischen [sic] büechlin [sic] widers opffer [der] Mess gemacht sind printed in 1525. The border consists of five woodcuts depicting cheurbs with a collection of birds, snails, and bugs (sides), a pair of cherubs holding a shield (top), a parade of cherubs, one riding a bear and playing a horn while another leads a pair of dogs (bottom), and a schene of the Last Supper (middle). -
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Historiated title page border of Das ander teyl widder die hymlischen Propheten, vom Sacrament
A woodcut border to Luther's Das ander teyl widder die hymlischen Propheten, vom Sacrament printed in 1525. The border consists of a single woodcut depicting a collection of cherubs with feathers or plants climbing on top of each other and filling a back on the back of a sleeping monk (sides and bottom) and a pair of cherubs flanking a shield with a man's head with a hood (top). -
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Historiated title page border of Ordenung vn[d] bericht wie es furterhin (mit yenen so das hochwirdig Sacrament empfahen wolle[n]) gehalten soll werden
A woodcut border to Luther's Ordenung vn[d] bericht wie es furterhin (mit yenen so das hochwirdig Sacrament empfahen wolle[n]) gehalten soll werden printed in 1525. The border consists of a single woodcut depicting a lion lying between a pair of decorative columns (sides and bottom) and an arch with fish and floral decorations (top).