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Tharacus, Probus et Andronicus, cruellement traitez à Tarse, A. 290
Luiken, Jan, 1649-1712An engraving depicting the torture of Saints Tarachus, Probus, and Andronicus before their martyrdom. The image shows one of the saints standing before the governor Numerian Maximus, while implements of torture, including hot coals, appear in the foreground and background. -
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Orïgene, mis à la torture à Alexandrie, et ensuite envoyé en exil, environ l'An 254
Luiken, Jan, 1649-1712An engraving depicting the torture of Origen. The image shows Origen chained to a prison wall by his neck, his hands clasped in prayer and feet locked in a stocks, while torturers head coals and hold burning straw towards him. -
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Cointha, martirisée à Alexandrie, A. 252
Luiken, Jan, 1649-1712An engraving depicting Saint Cointha before her martyrdom. The image shows Cointha rejecting the altar of a Roman god as two men bring rope (right) with which to tie her by her feet to a horse to be dragged through the streets. -
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L'Empereur Maximin fait bruler un grand nombre de Chrétiens, environ l'An 237
Luiken, Jan, 1649-1712An engraving depicting the burning of a building full of Christians by order of Emperor Maximinus I. -
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Felicitas, de Tuburbi en Mauritanie, mise, à mort A. 201
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Saint Felicity. The image shows Felicity being approached by a guard holding a set of keys, her hands clasped in prayer and chained to the prison wall by her neck. According to tradition, Felicity was martyred alongside Saint Perpetua, was an enslaved woman, and was pregnant at the time. -
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Blandine, rotie à demi sur un gril, et ensuite iettée aux bétes sauvages, A. 172
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Saint Blandina. The image shows Blandina being tossed by a bull towards a second bull's oncoming charge, while in the background there is a burning grill where she had previously been severely burned. -
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Polycarpe, cueque de Smyrne, mis à mort par le feu et par le fer, A. 168
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Saint Polycarp. The image shows Polycarp sitting on a blazing fire with eyes turned towards heaven as a man stabs him with a sword. -
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Felicitas, mise à mort avec ses 7 fils à Rome, A. 164
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Saint Felicitas and her seven sons. The image shows five of the seven sons already dead, with one beheaded and another kneeling as the executioner prepares to behead him (left). On the right, Felicitas watches with her final son bound behind her (left). -
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Phocas, Evêque dans le Pont, mis dans unfour à chaux et Jetté dans l'eau bouillante à Sinope, environ l'An 118
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Phocas, the Bishop of Sinope. The image shows Phocas being tossed into a large, boiling bath (left) while a soldier (right) directs an old man's attention to the event. In the background a steaming lime kiln can be seen (right). -
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S. Ignace, disciple S. Jean, devore par les betes farouches à Rome, A. 111
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Saint Ignatius of Antioch. The image shows Ignatius standing alone in an arena and facing an oncoming lion with open arms as a crowd watches. -
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Vitalus enterré vif à Ravenne environ l'An 99
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Saint Vitalis of Milan. The image shows Vitalis being buried alive as a crowd watches. -
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S. Jean Evangeliste, relegué à Pathmas, environ l'An 97
Luiken, Jan, 1649-1712An engraving depicting the exile of Saint John the Evangelist on Patmos. The image shows John walking through the surf with ships in the background. -
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Antipas, brulé vif dans un Taureau d'airain environ l'an 95
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Antipas of Pergamum. The image shows a hollow bull statue set above a blazing fire. -
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S. Luc Evangeliste, pendii à uri olivier dans la Gréce environ L'An 93
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Saint Luke the Evangelist. The image shows Luke having been hanged before a crowd from an olive tree. -
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S. Matthias Apotre crucifié lapidé et ensuite decapité A. 70
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Saint Matthias the Apostle. The image shows Matthias bound to a cross and stoned by a crowd while an ax sits ready (bottom right) to behead him. -
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S. Simon le Zelatier; crucifié en Syrie, A. 70
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Saint Simon the Zealot. The image shows Simon being led towards a prepared cross, the spikes to be used to nail him down prepared in a basket in the foreground. -
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S. Matthieu Apotre, et Evangeliste, Cloué à la terre et decapité à Nadavar en Ethiopié, A. 70
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Saint Matthew the Apostle and Evangelist. The image shows Matthew nailed to the ground by both his hands and feet as an executioner stands above him wielding an axe and preparing to behead him. -
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S. Tomas, missur des plaques ardantes, jetté dans la fournaise, et percé decoups de lance à Calamine, environ l'An 70
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Saint Thomas the Apostle. The image shows Thomas led towards a large furnace by a groupof four spearmen as a king looks on from the back of an elephant. -
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S. Barthelemi Apotre, écorché tout vif, et ensuite decapité en Arménie, A. 70
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Saint Bartholomew the Apostle. The image shows Bartholomew tied upsidedown to an X-shaped cross while two men flay him with knives before a crowd of onlookers, while in the foreground, a headsman's ax sits ready to behead him. -
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S. André Apotre, crucifié à Patras en Achaïe, environ L'An 70
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Saint Andrew the Apostle. The image shows Andrew bound with rope to an X-shaped cross while a crowd watches. -
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S. Paul Apotre, decapité á Rome sous Neron, A. 69
Luiken, Jan, 1649-1712An engraving depicting the martyrdom of Saint Paul the Apostle. The image shows Paul kneeling and blindfolded with hands together in prayer as the executioner unsheathes his sword and looks back towards Emperor Nero, who stands atop a wall in the background (upper left).