• An engraving depicting the coronation of a king, as overseen by a bishop within a cathedral.
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    Le Sacre du Roy

    Picart, Bernard, 1673-1733
    An engraving depicting the coronation of a king, as overseen by a bishop within a cathedral.
  • A series of four engravings depicting four different Catholic trials: trial by hot iron (top left), by boiling water (top right), and two by cold water (bottom).
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    Four Catholic Trials

    Picart, Bernard, 1673-1733
    A series of four engravings depicting four different Catholic trials: trial by hot iron (top left), by boiling water (top right), and two by cold water (bottom).
  • An engraving depicting facsimiles of items a pilgrim may recieve from the Pope during a Jubilee year. In the center of the engraving is the sheet that the pope would give to pilgrims with an Agnus Dei (a wax medallion imprinted with the Lamb of God) upon coming to one of the basilicas that grants indulgence during a Jubilee year. The sheet in this engraving bears the coat of arms of Pope Alexander VII and the image of the Agnus Dei, surrounded by the Latin motto “Agnus Dei, qui tollis peccata mundi, miserere nobis” (“Lamb of God, who takes away the sins of the world, have mercy on us”). Around the pope’s sheet are a scapular, two rosaries, a medal of St. Benedict, bread of St. Genevieve, a single-decade rosary, and a rosary ring.
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    Les Vertus de L'Agnus Dei

    Picart, Bernard, 1673-1733
    An engraving depicting facsimiles of items a pilgrim may recieve from the Pope during a Jubilee year. In the center of the engraving is the sheet that the pope would give to pilgrims with an Agnus Dei (a wax medallion imprinted with the Lamb of God) upon coming to one of the basilicas that grants indulgence during a Jubilee year. The sheet in this engraving bears the coat of arms of Pope Alexander VII and the image of the Agnus Dei, surrounded by the Latin motto “Agnus Dei, qui tollis peccata mundi, miserere nobis” (“Lamb of God, who takes away the sins of the world, have mercy on us”).
  • A series of six engravings depicting  pilgrims traveling to one of the seven basilicas that grants indulgence during a Jubilee year (top left). There the pilgrims climb the Scala Santa (Holy Stairs) on their knees (top right), and Roman prelates and barons wash their feet (left middle). The pope blesses the tables the pilgrims uses to eat with the Cardinals and the other prelates (right middle). The pope distributes rosaries, medallions, and Agnus Dei (a wax medallion imprinted with the Lamb of God) to the pilgrims as they kiss his feet (bottom left). The pope then lays a foundation stone to close the Holy Door (bottom right).
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    Jubilee Year Pilgrims

    Picart, Bernard, 1673-1733
    A series of six engravings depicting pilgrims traveling to one of the seven basilicas that grants indulgence during a Jubilee year (top left). There the pilgrims climb the Scala Santa (Holy Stairs) on their knees (top right), and Roman prelates and barons wash their feet (left middle). The pope blesses the tables the pilgrims uses to eat with the Cardinals and the other prelates (right middle). The pope distributes rosaries, medallions, and Agnus Dei (a wax medallion imprinted with the Lamb of God) to the pilgrims as they kiss his feet (bottom left).
  • A pair of engravings depicting the Pope opening the Holy Door at one of the four basilicas which grant indulgences to pilgrims during the Holy Year (top) and a detailed view of the raised seating where members of the nobility can sit to watch the ceremony of opening the Holy Door (bottom).
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    Le Pape faisant l'ouverture de la Porte Sainte et vue des Loges d'où la Noblesse regarde la Ceremonie de l'ouverture de la Porte Sainte

    Picart, Bernard, 1673-1733
    A pair of engravings depicting the Pope opening the Holy Door at one of the four basilicas which grant indulgences to pilgrims during the Holy Year (top) and a detailed view of the raised seating where members of the nobility can sit to watch the ceremony of opening the Holy Door (bottom).
  • A series of six engravings depicting a Catholic Jubilee year, during which faithful make prilgrimages to four basilicas in exchange for indulgences.
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    Jubilee Year

    Picart, Bernard, 1673-1733
    A series of six engravings depicting a Catholic Jubilee year, during which faithful make prilgrimages to four basilicas in exchange for indulgences.
  • A pair of engravings depicting the proper way to transport the Eucharist when the Pope is travelling: either on a horse (top) or on a litter supported by two horses, front and back (bottom).
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    Maniere de porter le S. Sacrement quand le Pape est en Vojage

    Picart, Bernard, 1673-1733
    A pair of engravings depicting the proper way to transport the Eucharist when the Pope is travelling: either on a horse (top) or on a litter supported by two horses, front and back (bottom).
  • A pair of engravings depicting the observance of Maundy Thursday (top) by washing the feet of twelve poor people, and Good Friday (bottom) by offering addoration to the Cross.
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    Ceremonie de laver les pieds à douze Pauvres le Jeudi Saint et l'Adoration de la Croix par le Peuple le Vendredi Saint

    Picart, Bernard, 1673-1733
    A pair of engravings depicting the observance of Maundy Thursday (top) by washing the feet of twelve poor people, and Good Friday (bottom) by offering addoration to the Cross.
  • A series of six engravings depicting the observation of various Catholic Holy Days, including: Candlemas (top), tenebrae (left middle), the Procession of the Eucharist into a tomb (right middle), the fire that begins Holy Saturday (bottom left), and the blessing of a new Paschal candle (bottom right).
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    Observation of Catholic Holy Days

    Picart, Bernard, 1673-1733
    A series of six engravings depicting the observation of various Catholic Holy Days, including: Candlemas (top), tenebrae (left middle), the Procession of the Eucharist into a tomb (right middle), the fire that begins Holy Saturday (bottom left), and the blessing of a new Paschal candle (bottom right).
  • A pair of engravings depicting worshipers kneeling before a priest to recieve marks on their foreheads in observation of Ash Wednesday (top) and a woman recieving Communion (bottom).
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    Le jour des Cendres et maniere dont on rend le Pain-Benit

    Picart, Bernard, 1673-1733
    A pair of engravings depicting worshipers kneeling before a priest to recieve marks on their foreheads in observation of Ash Wednesday (top) and a woman recieving Communion (bottom).
  • An engraved ornamental tailpiece appearing at the end of the fifth part of the section on Catholics. The engraving depicts a choir seated before an altar.
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    Ornamental Tailpiece: Choir

    Picart, Bernard, 1673-1733
    An engraved ornamental tailpiece appearing at the end of the fifth part of the section on Catholics. The engraving depicts a choir seated before an altar.
  • A series of 35 engravings depicting the stages of a Roman Catholic mass. The engravings are displayed nine to a page across four pages, and each one is numbered in the upper left corner with the description of the stage of mass at the bottom. In each scene, a different picture hangs above the altar, depicting in sequence the Passion with a description of the scene at the above the engraving.
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    Les Ceremonies des Petites Messes representées en Trente Cincq Figures avec leurs Conformitéz à la Passion de nôtre Seigneur Jesus-Christ

    Picart, Bernard, 1673-1733
    A series of 35 engravings depicting the stages of a Roman Catholic mass. The engravings are displayed nine to a page across four pages, and each one is numbered in the upper left corner with the description of the stage of mass at the bottom. In each scene, a different picture hangs above the altar, depicting in sequence the Passion with a description of the scene at the above the engraving.
  • An engraved ornamental tailpiece appearing at the end of the fourth part of the section on Catholics. The engraving depicts an angel holding two trumpets, both of which have banners hanging from them, and playing one. The banners read "CEREMONIES ET COUTUMES DES RELIGIONS DU MONDE."
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    Ornamental Tailpiece: Angel

    Picart, Bernard, 1673-1733
    An engraved ornamental tailpiece appearing at the end of the fourth part of the section on Catholics. The engraving depicts an angel holding two trumpets, both of which have banners hanging from them, and playing one. The banners read "CEREMONIES ET COUTUMES DES RELIGIONS DU MONDE."
  • A pair of engravings depicting a Catholic wedding ceremony (top) and a priest blessing a newlywed couple's nuptial bed (bottom).
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    Ceremonie de Mariage et Benediction du Lit Nuptial

    Picart, Bernard, 1673-1733
    A pair of engravings depicting a Catholic wedding ceremony (top) and a priest blessing a newlywed couple's nuptial bed (bottom).
  • A series of six engravings depicting the ordination of Roman Catholic subdeacons (top left), deacons (top right), and priests (middle left). The priestly ordination includes the bishop laying hands on the new priest (middle right), the bestowal of the power to consecrate (bottom left), and sharing in Communion (bottom right).
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    Ordinations

    Picart, Bernard, 1673-1733
    A series of six engravings depicting the ordination of Roman Catholic subdeacons (top left), deacons (top right), and priests (middle left). The priestly ordination includes the bishop laying hands on the new priest (middle right), the bestowal of the power to consecrate (bottom left), and sharing in Communion (bottom right).
  • A series of six engravings depicting a Roman Catholic cleric receiving tonsure (top left) and a surplice (top right), and the ordination of a sexton (middle left), a lector (middle right), an exorcist (bottom left), and an acolyte (bottom right).
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    Ordinations

    Picart, Bernard, 1673-1733
    A series of six engravings depicting a Roman Catholic cleric receiving tonsure (top left) and a surplice (top right), and the ordination of a sexton (middle left), a lector (middle right), an exorcist (bottom left), and an acolyte (bottom right).
  • A pair of engravings depicting the display of the body within a coffin before the house of the deceased or their family (top) and the offering of the Eucherist during a mass of requiem for the dead (bottom).
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    L'Exposition du Corps à la Porte du Logis et L'Ôfrande de Pain et du Vin à la Mese des Morts

    Picart, Bernard, 1673-1733
    A pair of engravings depicting the display of the body within a coffin before the house of the deceased or their family (top) and the offering of the Eucherist during a mass of requiem for the dead (bottom).
  • A series of six engravings depicting a Roman Catholic bishop leads worshipers through rites of penance, including putting on sackcloth, kneeling outside with extinguished candles, and reciting the litanies.
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    Penance

    Picart, Bernard, 1673-1733
    A series of six engravings depicting a Roman Catholic bishop leads worshipers through rites of penance, including putting on sackcloth, kneeling outside with extinguished candles, and reciting the litanies.
  • A pair of engravings depicting penitents stepping into the confessional to confess their sins to a priest (top) and a priest anointing a dying man as part of the last rites (bottom).
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    La Confession et Extreme Onction

    Picart, Bernard, 1673-1733
    A pair of engravings depicting penitents stepping into the confessional to confess their sins to a priest (top) and a priest anointing a dying man as part of the last rites (bottom).
  • A pair of engravings depicting parishioners taking Communion (top) and a priest delivering the Eucharist as part of the last rites (bottom).
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    La Communion et le Viatique

    Picart, Bernard, 1673-1733
    A pair of engravings depicting parishioners taking Communion (top) and a priest delivering the Eucharist as part of the last rites (bottom).
  • A pair of engravings depicting the rites of confirmation including the anointment (top) and the laying on of hands (bottom).
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    Ceremonie de la Confirmation et autre maniere de Confirmer

    Picart, Bernard, 1673-1733
    A pair of engravings depicting the rites of confirmation including the anointment (top) and the laying on of hands (bottom).
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