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A letter from Lois to her parents, Donald and Elsie, updating them on her health, suggesting that they come to visit in October when the baby is due, describing the arrival of the rest of their belongings, describing the new car, describing the weather and soil in the area, telling about the pineapple sherbet she made, discussing her work in the clinic, and providing an update on her and Morrell's progress in learning Spanish.

A letter from Lois to her father, Donald, describing the family's busy Sunday schedule, providing an update on her pregnancy and preparations, describing the weather and plans for planting a garden, sharing about her and Morrell's progress in learning Spanish, discussing the lack of children and mothers at Sunday School, and updating on Steed's development.

A letter from Morrell to Lois' mother, Elsie, describing the family's busy Sunday schedule, providing an update on Lois' pregnancy and preparations, describing the weather and plans for planting a garden, sharing about his and Lois' progress in learning Spanish, updating on Steed's development, and sharing his frustration at being unable to fully involve himself in the work.

A letter from Lois to her parents, Donald and Elsie, describing the house and their new garden, informing them about the process of grocery shopping, telling them about the state of employment and education in the community, sharing her experience helping in the children's clinic, telling more about the maid (Norma), updating them on the family's finances, sharing the news that she is likely pregnant, and updating them on Steed's development.

A letter from Lois to her father, Donald, informing him of their arrival in Mayarí, updating him on the family's recovered health, describing the unpacking process, describing the young woman who has been hired to help around the house, sharing her impression of the house, describing the community, and sharing their Sunday schedule.

A letter from Lois to her father, Donald, letting him know they revieced his letter, telling him that the family is still in Holguín and that they all were ill with a stomach issue but are recovering, updating him that they have all their luggage, describing the challenge of learning Spanish, describing the woman currently in charge of the clinic, and expressing her hope that she and Morrell will be able to be of more help in the parsonage and clinic soon.

A letter from Morrell to Lois' mother, Elsie, informing her of his and Lois' arrival in Cuba and the delay at customs, updating her on how Lois and Steed are handling the travel, describing their time in Havana.

A postcard from Lois to her father letting him know that she and Morrell are safely departing for Cuba and letting him know that they will write once they've arrived.

A postcard from Morrell to Lois' parents, Mr. and Mrs. Lerch, letting them know that he and Lois are being held up in Miami for an extra two days before they can continue on to Cuba and will be staying with the Blakes.

A letter from Lois to her father, Donald, telling him of their safe arrival in Cuba, the hold up with their luggage at customs, where they stayed for the first few days in the country, the Cuban food, the landscapes, and other missionary couples.

The Friends of Cuba newsletter from Summer, 1955, reporting on missionary works in the Oriente District of Cuba. News includes the building of new chapels, requests for resources for the Agricultural School, flower sales, a carnival behing held, notice of the death of A. F. Churchwell, and reflections on the state of poverty in Cuba, the work of the clinic, and the political situation in Cuba.

A pamphlet for the Dispensario Infantil Churchwell clinic for children's health.

A Mother's Day note from Lois and Morrell to Lois' mother, Elsie.

A woodcut depicting the blessing of a tabernacle for the Eucharist. A bishop raises a hand in blessing as the tabernacle sits upon an altar. The scene is flanked by ornamental scroll work featuring cherubs. The woodcut is reused throughout the work.

A woodcut depicting the celebration of Holy Saturday. A bishop presides as a deacon lights one candle from three and sings, “Lumen Christi” (“the light of Christ”), to which all reply,”Deo gratis” (“thanks be to God”). The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting a synod gathering of a diocese. A bishop sits surrounded by priests as an archdeacon proclaims the faith from the pulpit. The scene is flanked by a pair of cherubs holding rings and kneeling on helmets. The woodcut is reused throughout the work.

A woodcut depicting the dedication or consecration of a church. A bishop follows a procession of preists bearing a container of relics draped in ornate fabric to be placed inside the altar. The scene is flanked by a pair of cherubs standing atop eagles and bags of snakes. The woodcut is reused throughout the work.

A woodcut depicting Jesus' triumphal entry into the city of Jerusalem. Jesus rides a donkey with hand raised to bless the people as they lay palms before him. The scene is flanked by ornamental scroll work featuring pelicans and snails.

A woodcut depicting the rite of excommunication. The bishop sits surrounded by twelve priests in a public place, each with a lit candle in his hand, as he pronounces the anathema against the one to be excommunicated, after which all strike out their candles against the ground. The scene is flanked by ornamental scroll work featuring cherubs. The woodcut is reused throughout the work.

A woodcut depicting the public expulsion of penitents from the community of the church on Ash Wednesday. The penitents, wearing hair shirts and carrying candles, are led out of the church by a bishop and his retinue. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the dedication or consecration of a church. A bishop, aided by assistants, swings a censer across an altar, consecrating it with incense. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.