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An engraving of Daniel, flanked by a lion and lioness, the four beasts from his vision depicted in the sky on either side of his head.

An engraving of the four beasts which appeared to Daniel in a vision rising from the sea.

An engraved portrait of Olaudah Equiano which appears in his autobiography.

A woodcut depicting a monstrous fish purportedly pulled from the sea in Poland, which had the appearance of a Catholic monk.

A woodcut depicting a monstrous fish purportedly pulled from the sea in Poland, which had the appearance of a Roman Catholic bishop.

A woodcut depicting the four beasts described in Daniel's vision placed on a map, one each in Europe and Africa, and two in Asia. The beasts are placed in such a way that they surround the holy land.

An engraving of the two beasts mentioned in Revelations. On the left, is the seven-headed beast from the sea. On the hill to the right is the "lamb-horned" beast from the earth.

An engraving of the four beasts which appeared to Daniel in a vision. Each beast represented a different kingdom and is labeled from left to right: Roma (Rome), Grecia (Greece), Persia, and Asyria.

An engraving of the dragon mentioned in Revelations, which granted power and authority to the Beast from the Sea and the Beast from the Earth.

An engraving of Daniel sleeping (left) as his vision of the four beasts (right) appear, each beast labeled with the kingdom they represent: Roma (Rome), Grecia (Greece), Persia, and Assyria.

A woodcut depicting two boys, one born with four [feet] and one born without hands or eyes and the lower body of a fish. These beings are described in the text as being portents of the coming of Islam, implying that Islam was a danger to Christians.

A woodcut of the first Beast mentioned in Revelations, which emerged from the sea. It has seven heads and ten horns.

A woodcut of the two beasts mentioned in Revelations. On the right, is the seven-headed beast from the sea. On the hill in the background is the "lamb-horned" beast from the earth.

A woodcut depicting a hairy, bipedal beast, labeled as the "spook of the evil ghost," which is found in a vast desert beyond India in the land of Cathay. This type of ghost is said to lead travellers astray by mimicking the voices of their travelling companions.

A woodcut of a creature labeled as "Salamandra" (Salamander), which is described as preferring to live in fire and can be found on a mountain in the land of Chinchital in the New World.

A woodcut depicting a being with three heads: a frog representing France, an eagle representing Rome, and a lion representing Germany. This creature preceeded the arrival of Marcomirus, a Sicambrian king who took control of a region of Gaul after moving from the Danube region into the low countries (Gelders and Holland).

A woodcut depicting a group of monstrous beings purported to be found in Africa, including a dog-headed being (cynocephalus) and a cyclops, both likely drawn from classical influences. This woodcut is also used to depict the same creatures in the section on India, where the purportedly also reside.

A woodcut of the four beasts which appeared to Daniel in a vision. Each beast represented a different kingdom.

A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Luther, Ecclesiast, Schwirmer [Schwärmer], Visitieter, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas."

A woodcut depicting the Monk-Calf of Freyberg, which was born with a tonsure-like irregularity on its head, resembling the common hairstyle of a Catholic monk.

A woodcut depicting the "Papal Ass," a monster purported to have been pulled from the Tiber in Rome as a portent of the corruption of the Roman Catholic Church.