• Church record book that includes regularly recorded meeting minutes and church membership lists for Bethel Baptist Church in Wilkinson County, 1943-1956.
    Text

    Bethel Baptist Church Minute Book

    Church record book that includes regularly recorded meeting minutes and church membership lists for Bethel Baptist Church in Wilkinson County, 1943-1956.
  • Church record book that includes regularly recorded meeting minutes and church membership lists for Bethel Baptist Church in Wilkinson County, 1874-1942.
    Text

    Bethel Baptist Church Minute Book

    Church record book that includes regularly recorded meeting minutes and church membership lists for Bethel Baptist Church in Wilkinson County, 1874-1942.
  • In this third installment of “What Shall I do With My Life”, Thurman addressed the experience of community from the fluidity of consciousness. The line of delineation between life and death, love and hate, war and forgiveness are all discussed with regards to our own self-consciousness. Our experience of community is one with the unity of life and the aliveness of life. Still, it is the desire of man to stabilize those things that we need to guarantee our physical existence. Since the impersonal, social, and economic, and natural forces that impact our lives can not be controlled, we must choose freedom to accept the responsibility of our reaction to these things.
    Audio

    What Shall I Do with My Life (III): The Experience of Community (New York Community Church, NYC), 1971 Mar 21

    Thurman, Howard, 1900-1981
    In this third installment of “What Shall I do With My Life”, Thurman addressed the experience of community from the fluidity of consciousness. The line of delineation between life and death, love and hate, war and forgiveness are all discussed with regards to our own self-consciousness. Our experience of community is one with the unity of life and the aliveness of life. Still, it is the desire of man to stabilize those things that we need to guarantee our physical existence.
  • Sermon souvenir pamphlet
    Text

    Having Faith in the Future

    Jones, James A. (James Archibald), 1911-1966
    Sermon souvenir pamphlet
  • Sermon from Rev. Paul F. M. Zahl on the transfer of guilt from the guilty to the innocent, emphasizing that this allows for hope, transformation, and a newfound moral responsibility to do good.
    Sound

    Manhattan Transfer

    Zahl, Paul F. M.
    Sermon from Rev. Paul F. M. Zahl on the transfer of guilt from the guilty to the innocent, emphasizing that this allows for hope, transformation, and a newfound moral responsibility to do good.
  • Sermon from Bishop Kenneth L. Carder on John the Baptist's crucial role in Advent, asserting that genuine preparation for Christmas necessitates repentance and embracing the transformative identity that Jesus offers.
    Sound

    A Necessary Stop on the Way

    Carder, Kenneth L., 1940-
    Sermon from Bishop Kenneth L. Carder on John the Baptist's crucial role in Advent, asserting that genuine preparation for Christmas necessitates repentance and embracing the transformative identity that Jesus offers.
  • Sermon from Rev. Eugenia Gamble on reassurance of God's love and promise.
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    Bennet's Christmas

    Gamble, Eugenia, 1953-
    Sermon from Rev. Eugenia Gamble on reassurance of God's love and promise.
  • Sermon from Rev. Paul F. M. Zahl on the fundamental question of how individuals can find meaning and acceptane in their lives through Christ's life, death, and resurrection.
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    The Risky Question

    Zahl, Paul F. M.
    Sermon from Rev. Paul F. M. Zahl on the fundamental question of how individuals can find meaning and acceptane in their lives through Christ's life, death, and resurrection.
  • The program of the joint annual meeting of the American Academy of Religion and the Society of Biblical Literature, held in virtulally, from November 29-December 10, 2020.
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    Annual Meetings 2020: American Academy of Religion and Society of Biblical Literature

    American Academy of Religion
    The program of the joint annual meeting of the American Academy of Religion and the Society of Biblical Literature, held in virtulally, from November 29-December 10, 2020.
  • A large format calligraphy brush, likely made with goat hair with a wooden handle. This brush is on the right in the first image.
    Physical object

    Wooden handled calligraphy brush

    A large format calligraphy brush, likely made with goat hair with a wooden handle. This brush is on the right in the first image.
  • A large format calligraphy brush, likely made with goat hair with either a bone or horn handle. The handle is engraved with the characters, [insert here], which roughly translate to "[insert translation]." This brush is on the left of the first image.
    Physical object

    Horn handled calligraphy brush

    A large format calligraphy brush, likely made with goat hair with either a bone or horn handle. The handle is engraved with the characters, [insert here], which roughly translate to "[insert translation]." This brush is on the left of the first image.
  • A large format calligraphy brush, likely made with goat hair with a bamboo handle. This brush is in the center of the first image.
    Physical object

    Bamboo handled calligraphy brush

    A large format calligraphy brush, likely made with goat hair with a bamboo handle. This brush is in the center of the first image.
  • An inkstone engraved on five sides with various scenes of a crowd gathered in the gardens of a large pavilion. The inverse of the stone is engraved with the text of the Lanting Xu (兰亭集序; 난정집서), a famous piece of Chinese calligraphy considered to have been written by the famous calligrapher, Wang Xizhi (王羲之; 왕희지), during the Jin dynasty (266-420 BCE). On the front of the stone, a lone scholar, possibly Wang Xizhi, sits at a desk overlooking a pond which makes up the ink well and plain. The stone is accompanied by a padded box for storage, which includes several labels identifying its origin and the text engraving. The label affixed to the interior of the box lid notes that the stone was a souvenir procured on a trip to China, July 20-27, 1991, by "Righteous Mountain" Rev. Eun-deok Choi (義山 崔恩德; 의산 최은덕).
    Physical object

    Engraved inkstone

    An inkstone engraved on five sides with various scenes of a crowd gathered in the gardens of a large pavilion. The inverse of the stone is engraved with the text of the Lanting Xu (兰亭集序; 난정집서), a famous piece of Chinese calligraphy considered to have been written by the famous calligrapher, Wang Xizhi (王羲之; 왕희지), during the Jin dynasty (266-420 BCE). On the front of the stone, a lone scholar, possibly Wang Xizhi, sits at a desk overlooking a pond which makes up the ink well and plain.
  • This calligraphy plays on the sounds of Chinese to evoke the name of God (Yahweh) and describe him (Jesus Christ) as the most "precious stone," the cornerstone.
    Text

    雅瑋磐石

    Choi, Eun-deok
    This calligraphy plays on the sounds of Chinese to evoke the name of God (Yahweh) and describe him (Jesus Christ) as the most "precious stone," the cornerstone.
  • An embroidered depiction of the original building of the Chongkyo Methodist Church on silk. Chongkyo Methodist Church was built and founded by missionaries from the Methodist Episcopal Church, South, in Seoul, Korea, in the early 1900s and was part of the Seoul Circuit of the Korea Conference. The piece shows the original church building with a selection of Korean figures, men and women, approaching or walking by the church. A dedication is embroidered across the top of the work. The embroidery is done in traditional Korean style common towards the late Joseon dynasty (1392-1910) and includes intricate details, including the brickwork and roof tiles.
    Still image

    픔념긔별젼

    An embroidered depiction of the original building of the Chongkyo Methodist Church on silk. Chongkyo Methodist Church was built and founded by missionaries from the Methodist Episcopal Church, South, in Seoul, Korea, in the early 1900s and was part of the Seoul Circuit of the Korea Conference. The piece shows the original church building with a selection of Korean figures, men and women, approaching or walking by the church. A dedication is embroidered across the top of the work.
  • Evoking the scene of Jesus' baptism, this linocut work depicts a man holding a shell above a boy who kneels beside a river. Two men and a woman look on as a dove descends from the curling clouds gathered over the mountainous background.
    Still image

    Water & Spirit

    Min, Kyeong Ah
    Evoking the scene of Jesus' baptism, this linocut work depicts a man holding a shell above a boy who kneels beside a river. Two men and a woman look on as a dove descends from the curling clouds gathered over the mountainous background.
  • Drawing on scenes of gathering and shared meals in the Bible, specifically the wedding in Cana, Jesus feeding the five thousand, and the Last Supper, this linocut depicts a group of men, women, and children gathered and sharing food and drink. At the center of this gathering is a large ornamental ewer.
    Still image

    Tables

    Min, Kyeong Ah
    Drawing on scenes of gathering and shared meals in the Bible, specifically the wedding in Cana, Jesus feeding the five thousand, and the Last Supper, this linocut depicts a group of men, women, and children gathered and sharing food and drink. At the center of this gathering is a large ornamental ewer.
  • Artist Statement: "Seongsan Bridge appears over the River Han. Across the bridge stands Lotte World Tower, a 123-floor skyscraper that officially opened in 2017. A cross is floating on the river. Martin Luther, while reminding us of his speech at the Diet of Worms, stands just next to Jesus, pointing to him. Several people surrounding them are watching the event of Jesus' crucufixion. All of them are figures borrowed from Yun-Bok Shin's genre paintings. There are also other figures borrowed from Hong-Do Kim's paintings. The blacksmith in Daejanggan (A Blacksmith's Worshop [sic]) is portrayed as nailing Jesus' hand on the cross; the bow in Whalsogi (Archery) is targeted at Jesus' heart; the indiscreet, crying childin Seodang (A Schoolhouse) is described as mourning over the crucifixion of Jesus; the man who hides himself and steals a glance in BBaleteo (A Washing Place) appears next to the crying child; thos who were enjoying boating and drinking in Deon-yudo (Painting of Boating) are represented as a group of people who are indifferent to, or have nothing to do with, the event of the cross." (from the guide for Min's exhibition, "500 jähriges Reformationsjubiläum, Korea," which ran from July 5-10, 2017, at the Gasthaus Ökumene in Wittenberg and from July 12-August 1, 2017 at the Kreuzkirche Alte Bibliothek in Dresden)
    Still image

    500 years of the Reformation, Korea (2017)

    Min, Kyeong Ah
    Artist Statement: "Seongsan Bridge appears over the River Han. Across the bridge stands Lotte World Tower, a 123-floor skyscraper that officially opened in 2017. A cross is floating on the river. Martin Luther, while reminding us of his speech at the Diet of Worms, stands just next to Jesus, pointing to him. Several people surrounding them are watching the event of Jesus' crucufixion. All of them are figures borrowed from Yun-Bok Shin's genre paintings. There are also other figures borrowed from Hong-Do Kim's paintings.
  • Artist Statement: "In the background of the painting appears the 1938 edition of the Korean Bible--especially, Romans 1:17 ("the righteous will live by faith"). The cross of Jesus Christ stands in the middle between Martin Luther [(1483-1546)] on the left and Philipp Melanchton [sic][(1497-1560)] on the right. The cross and the three persons beneath it--John the Baptist, Chranach [sic], and Luther-- originally appeared in the alter painting entitled Law and Grace. It is supposed that Lucas Cranach [the Elder (1472-1553)] drew the first draft of the painting and then his son Lucas Cranach the Younger ([1515]-1586) completed it in 1555. Interestingly, a Korean woman next to them is overhearing the gospel. The building beneath Luther is Jangdaehyeon Church, where the revival movement of the Korean church startedin 1907. Meanwhile, the other building beneath Melanchton [sic] is Wittenberg Castle Church. Luther is portrayed as translating the Bible on the right of the bottom. On the left of the bottom the image of children studying in a Korean traditional schoolhouse was borrowed from Hong-do Kim's Seondang, as if they were studying the Bible. This painting portrays the historical process in which the gospel that Luther rediscovered was appreciated by  native Koreans." (from the guide for Min's exhibition, "500 jähriges Reformationsjubiläum, Korea," which ran from July 5-10, 2017, at the Gasthaus Ökumene in Wittenberg and from July 12-August 1, 2017 at the Kreuzkirche Alte Bibliothek in Dresden)
    Still image

    500 years of the Reformation, Korea (2016)

    Min, Kyeong Ah
    Artist Statement: "In the background of the painting appears the 1938 edition of the Korean Bible--especially, Romans 1:17 ("the righteous will live by faith"). The cross of Jesus Christ stands in the middle between Martin Luther [(1483-1546)] on the left and Philipp Melanchton [sic][(1497-1560)] on the right. The cross and the three persons beneath it--John the Baptist, Chranach [sic], and Luther-- originally appeared in the alter painting entitled Law and Grace.
  • Artist Statement: "The title of this work, , means that all the people looking at Jesus are all my various aspect. So I named me as  in plural. In the background of the painting appears the painting  by Kim Hong-Do (artist of the late Joseon dynasty). All of them are figures borrowed from this painting. In the middle of this work, I borrowed the Crucifixion from
    Still image

    Mes (2008)

    Min, Kyeong Ah
    Artist Statement: "The title of this work, <MES>, means that all the people looking at Jesus are all my various aspect. So I named me as <MES> in plural. In the background of the painting appears the painting <SSireum: Korean wrestling> by Kim Hong-Do (artist of the late Joseon dynasty). All of them are figures borrowed from this painting. In the middle of this work, I borrowed the Crucifixion from <Grünewald's Isenheim Altarpiece 1515>, Matthias Grünewald is a 16th century German painter.
  • An eight panel folding screen supporting calligraphy of an interpretation of the Eight Beatitudes (Matthew 5) in Chinese. The artist, Rev. Eun-deok Choi, has signed the work with his sobriquet, 義山 (의산; Righteous Mountain). The artist, Rev. Choi, was an acquaintance of the former President of Methodist Theological University in Seoul, Bong-bae Park, and may have originally gifted the work to him. Park, in turn, was a friend and colleague of former Emory University President and US Ambassador to Korea, James T. Laney, and possibly gifted the work to him. Ultimately, the work was gifted to Candler School of Theology by Laney.
    Text

    山上聖訓

    Choi, Eun-deok
    An eight panel folding screen supporting calligraphy of an interpretation of the Eight Beatitudes (Matthew 5) in Chinese. The artist, Rev. Eun-deok Choi, has signed the work with his sobriquet, 義山 (의산; Righteous Mountain). The artist, Rev. Choi, was an acquaintance of the former President of Methodist Theological University in Seoul, Bong-bae Park, and may have originally gifted the work to him. Park, in turn, was a friend and colleague of former Emory University President and US Ambassador to Korea, James T. Laney, and possibly gifted the work to him.
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